Join in our Live Facebook Chat with AACTA Award Nominee, Puberty Blues’ Brenna Harding

brenna-harding-q-a-2

You know her as ‘Sue’, the blonde and slightly less ebullient of the terrible twosome (along with Ashleigh Cummings) at the centre of the Ten Network/Southern Star drama series Puberty Blues. Just 16 at the time of filming the first series, Brenna Harding has been nominated for an AACTA Award for Best Young Actor – and the series itself is nominated for Best Television Drama Series – with the winners being announced on Wednesday 30 January at the 2nd AACTA Awards Ceremony, broadcast on Ten at 9.30pm.

Brenna has also appeared in My Place, Packed to the Rafters and short films Shelling Peas and The Road Home. Join us on the AACTA Facebook page on Sunday 27 January at 4pm for a live chat with Brenna about her performance as a naughty-but-nice teenager living in the 1970s in Puberty Blues. We’re also keen to ask her what it’s like having Dan Wyllie and Susie Porter playing your parents.


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Join us for live Facebook Chat with AACTA Nominee Susan Prior (Puberty Blues)

susan-prior FB live chat image

Susan Prior played downtrodden wife and mother Yvonne Hennessey in Channel Ten’s Puberty Blues Season 1, but we saw her shedding her inhibitions in the final episode, and look forward to her character’s progress in future eps! Join AACTA nominated actress Susan Prior here for a live Q&A at 3pm today (Thursday 24 Jan, 2013).

The Hennessey family - played by Rodger Corser, Susan Prior and Sean Keenan.

The Hennessey family – played by Rodger Corser, Susan Prior and Sean Keenan.

Susan’s extensive film credits include Careless Love, Not Suitable for Children, Animal Kingdom, A Cold Summer, and the Academy Award nominated short film The Saviour. Her television credits include Rake Season 2, All Saints and Water Rats, and she is also an accomplished theatre actor. We look forward to chatting, and would love you to join us.

Susan is nominated for Best Guest or Supporting Actress in a Television Drama for Puberty Blues. The other nominees in this category are Shareena Clanton (Redfern Now), Mandy McElhinney (Howzat! Kerry Packer’s War) and Laura Wheelwright (Underground). The winner will be announced at the 2nd AACTA Awards Ceremony on Wednesday 30 January 2012, televised on Network Ten from 9.30pm.

On the Box: Australian Television 2012 – Part 1


By Simon Elchlepp

Now for the fourth year running, we preview some Australian television highlights coming up in the year ahead (you can find our stories from 2009, 2010 and 2011 to revel in a bit of TV nostalgia). As it’s already April, some of 2012’s highlights have already come and gone, but there are still plenty to look forward to. In fact, 2012 shapes up to be a particularly interesting year on the small screen, for while there are many continuing series building on successes of past seasons, there is an impressive number of original productions due to screen this year. The ABC, in particular, has increased its drama and comedy output dramatically in recent years, while the commercial networks seem more prepared to take the plunge on ‘event’ telemovies and mini-series than in previous years. What’s also notable is that Australian TV producers and writers keep mining the nation’s rich history for their inspiration, unearthing stories from both familiar and lesser known periods of Australia’s past.

The trend also continues for networks to offer more viewing flexibility, with online viewing services like the ABC’s iview, SBS’ On Demand and Network Seven’s Plus7, constantly improving the audience’s ability to catch up on viewing at times to suit their own schedules.

John Waters and Asher Keddie – OFFSPRING SEASON 3.

As in 2011, we’ll focus on the television categories celebrated in the AACTA Awards: Drama, Comedy & Light Entertainment and Children’s Television. Some shows that have premiered recently, or will do so in the next couple of weeks, are Randling – six-time AFI Award winner Andrew Denton’s long-awaited return as show host, as he presides over a battle of words between teams that include witty wordsmiths such as Julia Zemiro, Rob Carlton, Angus Sampson and Robyn Butler (from 2 May, ABC1); Laid Series 2, which sees Roo (Alison Bell) having her world turned upside down when she is introduced to her opposite – Marcus, who doesn’t kill everybody he has sex with, but heals them (from 2 May, ABC1); and  Offspring Series 3 (now showing on Wednesday nights, 8.30pm, Network Ten), in which Nina Proudman (Asher Keddie) faces more messy family challenges. We’ve also just seen the impressive telemovie Beaconsfield on the Network Nine.

As always, we can’t include everything, but here’s a taste of Australian content that’s still to appear on your telly in 2012. In Part 1 we’ll look at the Drama offerings. Next week, in Part 2, we’ll focus on Comedy & Light Entertainment and a couple of new Children’s shows set to debut this year.

Drama: Series, Mini-Series and Telefeatures

Bikie Wars: Brothers in Arms (Network Ten, from May 15 2012, six-part mini-series)

One of the darker spots of Australia’s recent history is the Milperra massacre, a violent clash between the Bandidos and the Comancheros motorcycle clubs on Father’s Day, Sunday 2 September 1985 that left seven people killed and 28 wounded. Bikie Wars: Brothers in Arms aims to shine a light on how this deadly conflict could built up in the bikie gangs’ tribal culture with its particular code of honour. The show’s strong cast reads like a who’s who of Australian male TV stars including Todd Lasance, Luke Ford, Anthony Hayes, Damian Walshe-Howling and Callan Mulvey, with two-time AFI winner Susie Porter and Maeve Dermody in other roles. Veteran TV producers Greg Haddrick and Roger Simpson and director Peter Andrikidis together have a whopping 13 AFI Awards and 32 AFI Award nominations to their names, so it’s safe to say that this project is in good hands.

L-R: Anthony Hayes, Matt Nable and Callan Mulvey rev it up in Channel Ten’s BROTHERS IN ARMS.

Dangerous Remedy (ABC1, 2012 TBC, telemovie)

Jeremy Sims will take the lead in ABC1’s DANGEROUS REMEDY.

The story of Melbourne GP Dr Bert Wainer is that of a long, hard struggle on two fronts. As Australian social mores rapidly change in the late 1960s, Dr Wainer, moved by the death of a young woman, embarks on a campaign to overturn laws that make abortion an offence punishable by up to 15 years in jail. But soon he’s not only up against the legal system, but also against an illegal abortion ring involving highly paid doctors, backyard abortionists, high-ranking police and power-broking politicians. As producer/writer’s Kris Wyld’s next project after the AFI and AACTA Award-winning East West 101, Dangerous Remedy promises to be another slice of first-rate Australian TV drama, brought to life by a high-profile cast that includes Jeremy Sims (as Bert Wainer), William McInnes, Susie Porter, Maeve Dermody and Gary Sweet.

Devil’s Dust (ABC1, second half of 2012, two-part telemovie)

For more than a century, asbestos was one of the most commonly used building materials, and it took decades to recognise its devastating health impacts. In Australia, a decisive part of that struggle were the actions of three men, recreated in the telemovie Devil’s Dust. These central characters are: Bernie Banton (Anthony Hayes), who takes legal action against James Hardie after contracting cancer from his years of working with asbestos; Adam Bourke (Don Hany), who becomes aware that James Hardie is selling a product that causes the death of thousands of people; and Matt Peacock (Ewen Leslie), the ABC journalist who reveals evidence of the link between asbestos and cancer, and then devotes his career to exposing the shocking truth and bringing justice to victims. Two-time AFI Award-winning writer Kris Mrksa and producers FremantleMedia Australia bring the moving story of this still ongoing national tragedy to the small screen.

Anthony Hayes as mesothelioma sufferer Bernie Banton in DEVIL’S DUST.

Howzat!  (Channel Nine, 2012 TBC, two-part mini-series)

For a while, discussion around Howzat! The Kerry Packer Story focused mainly on which network would screen this ‘sequel in spirit’ to ABC’s Paper Giants, and whether Rob Carlton would reprise his AACTA nominated and Silver Logie-winning performance as Kerry Packer. Now that both questions have been answered, it’s time to take a closer look at the actual production. And what we can see so far looks like a highly entertaining trip back to the late 1970s when a young Kerry Packer took on the cricket establishment. Then owner of Channel Nine, Packer set up a rebel competition, the World Cricket Series and ushered in the era of one-day cricket played under lights. Lachy Hulme, also appearing in Beaconsfield and recently seen in Any Questions for Ben?, The Killer Elite and Offspring, continues his strong run and portrays Kerry Packer, backed by a supporting cast of moustachioed stars including Brendan Cowell, Damon Gameau and Matthew Le Nevez.

 

Matthew Le Nevez plays Dennis Lillee, Damon Gameau as Greg Chappell and Brendan Cowell as Rod Marsh on set of HOWZAT! 

Jack Irish – Bad Debts / Jack Irish – Black Tide (ABC1, 2012 TBC, 2 x 90min)

Rain. Wind. Pubs. Beer. Sex. Corruption. Murder. That’s Melbourne in winter for you, according to Peter Temple’s Ned Kelly Award-winning series of Jack Irish crime novels. Jack is an expert at finding people who don’t want to be found – dead or alive – and doesn’t mind stirring up a bit of trouble. He’s a former criminal lawyer, part-time investigator, debt collector, cabinetmaker, mug punter, and sometime lover – and the producers couldn’t have found a better actor to portray this complex character than Emmy Award-winner Guy Pearce. But while Pearce is certainly the big name on the roster of Jack Irish, he’s surrounded by a supporting cast that reads just as impressively: Damien Garvey, Anthony Hayes, Shane Jacobson and Roy Billing co-star, directed by one of Australia’s most promising young TV directors, AFI Award winner Jeffrey Walker.

Lawyer, punter, debt collector and sometime lover – Guy Pearce stars as Jack Irish.


Mabo 
(ABC1, June 2012, 117min)

Jim Bani and Deborah Mailman as Eddie and Bonita Mabo.

The life of Eddie Mabo has been the subject of several documentaries, most recently in Rachel Perkins’ groundbreaking series First Australians. Now Perkins, fresh from the success of Bran Nue Dae, returns to tell Eddie Mabo’s story in this telefeature. At its heart is the love story between Mabo and his wife Bonita that sustained their momentous struggle to change the face of Australia. In the lead role, Jimi Bani (The Straits, R.A.N.) is surrounded by a stellar supporting cast that includes Deborah Mailman, Colin Friels, Miranda Otto, William McInnes and Ewen Leslie. The talent assembled behind the camera is just as impressive: Byron Kennedy Award winner Perkins works with a team that includes multiple AFI Award winners Anthony Partos and Sue Smith. Expect this to end up on a lot of ‘best of year’ lists by the end of 2012.

The Mystery of the Hansom Cab (ABC1, second half of 2012, 120min)

Period crime series are hot right now on Australian TV screens. A trip into the prohibition era revitalised Channel Nine’s Underbelly series and the 1920s glam and swagger of the ABC’s Miss Fisher’s Murder Mysteries endeared the series to many TV crime hounds. Now the ABC follows up its recent success with The Mystery of the Hansom Cab, a telemovie based on the first detective novel ever written in Australia in 1886 by Melbourne barrister’s clerk Fergus Hume. A milestone in the development of the literary crime genre, The Mystery of the Hansom Cab has been filmed three times as a silent movie and now returns to the small screen courtesy of producer Margaret McDonald and director Shawn Seet, who has shown a sure hand with such material as Underbelly: Razor.

Reef Doctors (Network Ten, 2012 TBC, 13 hour series)

In the current wave of crime and medical dramas that has swept Australian TV screens in recent years, family-oriented action fare has taken a bit of a back seat. That’s about to change with Reef Doctors, a 13-part drama series starring Lisa McCune in her first role since Sea Patrol wrapped last year. McCune stars as a single mother and leader of a team of doctors that serve the remote Hope Island Clinic, looking after residents of a small island community on the Great Barrier Reef, as well as tending to holiday-makers and thrillseekers. Reef Doctors also marks McCune’s first foray into producing and she is joined by two-time AFI Award winner Jonathan M. Shiff (Elephant Princess, H20 Just Add Water, Cybergirl), one of Australia’s foremost producers of family TV entertainment. Rohan Nichol, Matt Day and Richard Brancatisano complete the cast of this Australian-German co-production.

Rohan Nicol and Lisa McCune in REEF DOCTORS.

Puberty Blues (Network Ten, second half of 2012, series)

Claudia Karvan and Jeremy Lindsay Taylor – PUBERTY BLUES.

Like Bruce Beresford’s 1981 classic movie of the same name, Ten’s new series is based on the novel by Gabrielle Carey and Kathy Lette. It recently made headlines for its top-flight cast that includes Claudia Karvan, Susie Porter, Dan Wyllie, Jeremy Lindsay Taylor, Rodger Corser and Ashleigh Cummings. More AFI Award winners are found behind the camera, with Southern Star duo John Edwards and Imogen Banks (Offspring, Tangle) producing and Glendyn Ivin and Emma Freeman (Hawke, Tangle, Offspring) directing. It will be fascinating to see what this impressive team of creative minds will bring to the re-telling of the story of two Sydney teenage girls trying to fit in with the local surf gang. Early word has it that the series will not only portray the two girl protagonists, but also their families and friends in greater detail.

Redfern Now (ABC1, second half of 2012, series)

Redfern Now looks like it might become a landmark series in more than one sense. It is crafted by seven Indigenous Australians under script guidance from three-time BAFTA Award winner Jimmy McGovern, with over 250 Indigenous Australians to be employed in various roles including producers, directors, writers, actors, production and post-production staff. While this will provide career opportunities for creative Indigenous Australians on a massive scale and have an impact on the whole film and TV industry, what will transpire in front of the camera should be just as interesting. Produced by Blackfella Films (First Australians, Mabo, The Tall Man), Redfern Now will tell “the explosive and dramatic stories of six households in Redfern […] one of Australia’s most famous suburbs – an area full of contradictions; [an] Aboriginal icon, centre of black struggle, and a real estate goldmine”, according to McGovern.

Tricky Business (Channel Nine, from May 14 2012, series)

When the first Tricky Business promo was released, it didn’t take long for some to compare the series to Packed to the Rafters. Ultimately, only once the first episode has screened will we know how similar or different both productions are. What’s clear already is that the show boasts a strong cast that includes two-time AFI Award winner Shane Bourne, Gigi Edgley, Debra Byrne, Kip Gamblin, Antony Starr and Tomorrow, When The War Began star Lincoln Lewis. Tricky Business focuses on a family that runs a debt collection business. Channel Nine’s Head of Television, Michael Healy, promises a show with “a very strong balance between family and procedural.”

A complicated family with a business in debt collection – Channel Nine’s TRICKY BUSINESS.

Underbelly: Badness (Channel Nine, second half of 2012, eight-part mini-series)

Last year’s Underbelly: Razor arguably revitalised the long-running Underbelly franchise by injecting it with a good dose of 1920s glamour. But after that trip into the past, the question is whether there’s any historical ground left for the series to tread? Returning executive producers Des Monaghan and Greg Haddrick seem to have found the answer: Underbelly: Badness jumps closer to the present day than any previous Underbelly series. Set in 2001-2011, this latest series focuses on Sydney underworld figure Anthony Perish and how he was brought to justice after ten years of police investigation. Production company Screentime have landed a casting coup, as AACTA Award nominee Jonathan LaPaglia will return to Australian TV screens as Anthony Perish, after his much lauded turn in The Slap. The cast is completed by Matt Nable, Josh Quong Tart, Ben Winspear, Leeanna Walsman and Jodi Gordon.

 

Underground (Network Ten, second half of 2012, telemovie)

For 2012, Network Ten has lined up a roster of productions that are likely to generate plenty of discussion around the water cooler. Apart from Bikie Wars: Brothers in Arms and 70’s tale of teenage rebellion Puberty Blues, there’s Underground. Few people have received as much media attention and polarised the public as strongly in recent years as WikiLeaks founder Julian Assange. And so you can bet that this telemovie about a young Assange and how he allegedly hacked the CIA website is bound to make waves. After weeks of intense online speculation, Ten have recently announced Underground’s impressive cast, headed by newcomer Alex Williams and including stars and AFI Award winners Anthony LaPaglia and Rachel Griffiths. The production will be directed by Robert Connolly (The Slap, Balibo, The Bank).

Wentworth (Foxtel, 2012 TBC, series)

One of Australian TV’s undisputed classics is Prisoner, which ran for seven years and has garnered a cult following around the world (the fact that there’s a 174 DVD box set with all 692 episodes out there speaks to the series’ everlasting appeal!). So Foxtel has some big shoes to fill in with its contemporary “re-imaging” of Prisoner called Wentworth. Little is known about cast and crew at this stage, but Foxtel Executive Director of Television promises “a dynamic and very confronting drama series, developed and stylised specifically for subscription television audiences.” Produced by Jo Porter (Packed to the Rafters, All Saints, Always Greener), Wentworth will follow the story of newly arrived prisoner Bea Smith and her rise through the ranks of the all-female prison hierarchy to the position of “Top Dog”.

Winners & Losers (Seven Network, 2012 TBC, series)

Currently, we don’t know much about the second season of Winners & Losers other than the fact that it will return to TV screens in 2012. But that bit of information alone will be enough to excite fans of one of 2011’s biggest ratings winners. The final episode of season one brought some big changes to the lives of Frances, Sophie, Bec and Jenny, which gives series creator Bevan Lee (Packed to the Rafters) “a new launching pad for season two.”  Filming on season two began on August 23 last year and we look forward to finding out what’s in store for the four girls at the heart of Winners & Losers.

What will this year hold for the four friends from WINNERS AND LOSERS?

Also tracking:

ABC’s Rake returns for a second series, while Seven Network has a new drama called A Place to Call Home from Packed to the Rafters creator Bevan Lee in the making. Some of Pay TV’s biggest 2012 shows have already been released, but you can still catch up, for example on Tangle in its third year and Conspiracy 365.  Costing $13m, the latter checks in as Australian Pay TV’s most expensive production to date.

Stay Tuned…

Next week, in Part 2 of this story, we’ll be checking out Comedy and Light Entertainment, including Hamish And Andy’s Euro Gap Year, Lowdown Series 2, Next Stop Hollywood, Please Like Me, Shaun Micallef Is Mad As Hell, Sporting Nation and This Christmas, as well as some children’s television picks.

 

Why I Adore: Adaptations

by Popzilla

Cloudstreet Poster

The eagerly awaited 6-part adaptation of 'Cloudstreet' premieres on Foxtel's Showcase this Sunday, 22 May, at 8.30pm.

As much as I’m a film nut, I’m also a book nut. So when both media are awesomely combined – I’m as happy as a ham in mud.

I have to admit, I probably discovered books before I discovered film. But some of my most vivid child and teen memories arise from not only the musky damp comfort of books, but also the thrill of seeing them come to life on screen – through film adaptations.

Theatre works, comic books, games, pop-fiction novels, classical adaptations – I’m there. I might love it, I might hate it , but I appreciate the efforts involved in every little detail, to bring much loved, pop-culture adventures, or undiscovered tales to big or small screens.

Through  written stories, we discover (quite often in GREAT detail), heart rending family sagas (Cloudstreet; The Slap, Our Father Who Art in the Tree), quirky coming of age kerfuffles, seedy criminal underworlds (Truth), and even classic  poems  (The Man from Snowy River).

Great stories are already awash with all the colours and sounds of ‘the big screen’. So what happens when novels are translated onto big or small screens? There is a moment where you’re about to take a gamble –  into the cinema, or say, reserving a quiet weekend to open the first page of a novel just watched on the big screen… when some of us take a big pensive breath and say… “um, should I really be doing this?”

Will we love the film version just as much if characters are removed; plots changed and (gasp!) endings completely re-written? In speaking with friends, family, filmmakers, and some cranky librarians, I have found that not everyone immediately jumps for joy at the mention of an adaptation. No – quite the opposite.

There are literary purists who immediately promise to stay ‘true’ to the author’, to never forsake the written word for the big screen version. Not even choc-tops can lure them away from their musty pages. There are others who are bitterly disappointed in ‘crude adaptations’, and the impact the screen sometimes takes on a good story. And then there are those (just like me) who love the opportunity to see a story brought to the big screen. To revel in the backdrops, the little details, and even the changes that are evident in adaptations.

It’s kind of ridiculous I guess, but sometimes I also wonder about the correct order – whether I should be seeing a film before I read it the book it’s based on, or afterwards! Many a book has no doubt been improved by its film adaptation, not to mention the sudden increase in book sales. Film adaptations can quite often bring hidden novel gems to mainstream masses – something that has been hiding on dusty shelves just waiting for the chance to come to life.

And, yes, some books have been ruined by screen adaptation. Whether it’s overzealous screenwriters, directors, bossy-pants authors or badly cast actors – who knows who is to blame? Converting a book into film is a tricky business. Firstly – you have to secure the rights to the novel – and the cost ranges for script and development can be much higher than those associated with filming an original screenplay.

However, it must be said that adaptations can also raise books, games and comics to new heights – creating brand new interpretations (and new BRAND interpretations), even adding further value to a story… or film.

There’s also the question of what happens to the screenwriter after all the writing is  completed. Have they written themselves off the page and out of the film? (An interesting interview with screenwriter John Collee  (Happy Feet, Master and Commander) sheds some light on Collee’s screenwriting experiences in the biz.)

In honor of writers, screenwriters, and filmmakers everywhere, and to illustrate how wonderful they can be – here are (in no particular order) my ‘adored’ Australian film adaptations:

Puberty Blues

“You wanna go down the dunnies for a smoke?”

I love the teen awkwardness that is captured in this film, and the snapshot of 80s Cronulla. Based on the book by Gabrielle Carey and Kathy Lette – not all of the book made it to the screen, but it is an absolute screen gem. And who could forget the theme song?

Picnic At Hanging Rock

It’s spooky, it’s kooky –just like the book, if not better! The BAFTA award-winning Peter Weir adaptation of the book by Joan Lindsay is still loved today. Just go to Hanging  Rock to hear Swedish backpackers yell ‘Miranda!!’ from the haunted peaks…

Oscar and Lucinda

A glass church. A GLASS CHURCH! I still can’t believe Gillian Armstrong mastered this complex and imaginary tale whilst auditioning Cate Blanchett for the world screen. And the chemistry between Ralph Finnes and Blanchett set the pages of this Peter Carey novel on FIRE!

 Romulus, My Father


Everyone is heartbreakingly beautiful in this AFI Award winning film adaptation of the book by Raimond Gaita. With the screen adaptation written by British poet Nick Drake, stunningly filmed by Shine cinematographer Geoffrey Simpson, and an impressive directorial debut by Richard Roxburgh, even the author himself saw the film more than 20 times…

Playing Beatie Bow

Australia’s version of Labyrinth with kids instead of goblins. Adapted from the Ruth Park novel of the same name, I’m just hanging out for a film on Park to come out one of these days…

Praise

I just love it. The performances, mood and feel of John Curran’s 1999 movie completely match that of the book by Andrew McGahan.

http://www.traileraddict.com/trailer/praise/trailer

He Died With A Falafel In His Hand


I know a lot of people who have yet to warm to this early 2000 flick. But for me, it captures so many true-to-life tales of share-house living, and has one hell of a kick-ass soundtrack. Noah Taylor is the bees-knees as a depressed and down and out writer living on the dole.

My Brother Jack

Some heartbreaking moments in this AFI Award Winning production starring Matt Day, Claudia Karvan, William McInnes and Jack Thompson. A 2001 made-for-television adaptation of George Johnson’s classic novel.

ADAPTATION AUSSIE!

Here are some upcoming adaptations to watch out for:

 Cloudstreet


I’m already taken in by the trailer! Written for the small screen by the author himself, alongside co-screenwriter Ellen Fontana.

Cloudstreet premieres on the Foxtel channel Showcase on Sunday, May 22 2011, 8.30pm.

The Slap

http://www.imdb.com/title/tt1823011/

An eight part ABC television series adaptation of the bestseller by Christos Tsiolkas is to star a stellar lineup including Brendan Cowell, , Melissa George, Alex Dimitriades, Sophie Lowe, Jonathan LaPaglia and more.

Red Dog

The story of Red Dog is a well-known WA legend but it was popularised by English author Louis de Bernieres in his book of the same name.

The film adaptation directed by Kriv Stenders is based on the legendary true story of the Red Dog who united a disparate local mining community while roaming the Australian outback in search of his long-lost master

.Starring Josh LucasRachael TaylorNoah Taylor, Luke Ford and Bill Hunter with release set for August 2011.

Oranges and Sunshine


Based on the true story by UK social worker Margaret Humphreys about her expose of the scandal of Britain’s forgotten and abused child migrants (previously published as Empty Cradles), Oranges and Sunshine stars Hugo Weaving, David Wenham and Emily Watson. Set for release in Australia in June 2011.

LBF

http://www.lbfthefilm.com/

LBF is a ‘pop art film’ based on the novel Living Between F***ks by Cry Bloxsome from which it draws much of its wry narration. Paris-based writer Goodchild (Toby Schmitz) returns to Sydney for the funeral of his ex-girlfriend l and steadily veers off the rails. Starring Gracie Otto, Septimus Caton and Australian model April Rose Pengilly, the film also has a very cool little soundtrack featuring aussie bands Boy & Bear and Operator Please. Premiering at the 2011 Sydney Film Festival.

The Telegram Man

 http://www.thetelegramman.com/

Based on a short story by John Boyne, the award-winning author of The Boy in the Striped Pyjamas. Set in Australia, The Telegram Man is short film with a mega cast including Gary Sweet and Sigrid Thornton,and will be actor Jack Thompson’s first short film acting debut. Currently in post production and coming soon to a Film Festival near you in 2011.

Adaptation Websites

More? The story doesn’t end here folks…

Australian Adaptations

http://www.middlemiss.org/matilda/film-adaptations/

50 Upcoming Book-to-Movie Adaptations

http://www.nextmovie.com/blog/upcoming-book-adaptations/

Film of the Book: Top 50 Adaptations

http://www.guardian.co.uk/uk/2006/apr/19/film.books

UK paper The Guardian provides a list of Top 50  usual suspects.

Top Grossing Film Adaptations

As declared by Forbes – there’s billions in the books!

http://au.pfinance.yahoo.com/special-features/top-gross-film-adaptations/index.html

From Page to Screen

Four part article written on worldwide adaptations – successful, unsuccessful and upcoming.

http://www.digitalfie.com/1466-from-page-to-screen-part-4-books-yet-to-be-filmed

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Do you know of any upcoming adaptations with Aussies in them?

Be sure to post below!

Also keen to know your own top 5 Australian adaptations…