Australian films at the 2012 Melbourne International Film Festival

The Sapphires

The Melbourne International Film Festival has a long history of supporting Australian film, and in 2012 the festival again screens a wide variety of local fare in its Australian Showcase stream, from internationally-lauded blockbusters to low budget indies.

And in addition to offering local filmmakers a chance to have their film screened to supportive Australian audiences, MIFF supports the Australian film industry further through its MIFF Premiere Fund, which has financed a diverse range of feature films and documentaries since its inception in 2007.

Australian films will both open and close the festival in 2012, with Wayne Blair’s 1960s-era musical drama/comedy The Sapphires adding a touch of glitz, glamour and soul to the opening night gala last week. A joyous crowd-pleaser all but guaranteed success (after being picked up for international distribution by the Weinstein Company at Cannes), The Sapphires celebrates Aboriginal culture, family bonds and the irrepressible power of soul music with a delightfully sassy script and extravagant production and costume design.

There are dozens of Australian feature films playing at MIFF this year, from introspective dramas to psychotic horror-comedies to Bollywood musicals. Some of these titles are sure to appear in upcoming AACTA Awards seasons. Join us as we profile the Australian features on offer to thousands of eager cinephiles during the Melbourne International Film Festival.

The Melbourne International Film Festival runs from August 2 to 17 at various locations throughout the Melbourne city centre.

Features

100 Bloody Acres

100 Bloody Acres

Reg and Lindsay are having trouble sourcing the “secret ingredient” for their organic fertiliser – human remains sourced from car crash victims. When a trio of young music festival-goers find themselves stranded at their front door, the two businessmen have a devious idea – but struggle to bring themselves to go through with it.

One for the schlock fans, 100 Bloody Acres is produced by Julie Ryan (RED DOG) and Kate Croser, with Damon Herriman, Anna McGahan, John Jarratt and Angus Sampson adding a touch of crackle to the cast of this grisly, comedic horror flick. They’re not psycho killers… they’re just small business owners.

Being Venice

Being Venice

The first feature-length film by New Zealand-born filmmaker Miro Bilbrough follows the eponymous Venice (Alice McConnell) as one man leaves her life and another re-enters it. The former – her boyfriend – announces that he needs some space and promptly leaves the house they share, while the latter – her estranged ex-hippie father Arthur (veteran comic actor Garry McDonald) – worms his way into staying on Alice’s couch while visiting from New Zealand.

Being Venice was warmly received at the Sydney Film Festival earlier this year, described by Frank Hatherly of Screen Daily as “thoughtful” and possessing “something of a European sensibility” in presenting Venice’s struggle to make sense of the male relationships in her life.

Dead Europe

Dead Europe

The first announced of MIFF’s “surprise screenings” on the last day of the festival, Dead Europe is the latest in a string of adaptations of Christos Tsiolkas novels, directed by director Tony Krawitz (The Tall Man), adapted for the screen by veteran television writer Louise Fox, and starring acclaimed young actor Ewen Leslie in the lead.

Described by Gary Maddox in the Sydney Morning Herald as “a bruising blast of intense drama”, the film is a deep, densely wrought examination of Europe, “the continent of lost souls”, and the burden that children of “cursed” peoples must bear.

Errors of the Human Body

Errors of the Human Body

Described as a “psycho-scientific thriller” developed while director Eron Sheean was artist-in-resident at the Max Planck Institute of Molecular Cell Biology and Genetics in Dresden, early reviews of Errors of the Human Body have noted the scientific authenticity with which the film’s plot is realised.

A German-Australian co-production directed by an Australian based in Europe, with a cast including Karoline Herfurth (Germany), Tomas Lemarquis (Iceland), Rik Mayall (United Kingdom) and Michael Eklund (Canada), it’s a horror film set on the cutting edge of science and technology, dealing with the ethics of biological and genetic science.

Hail

Hail

Melbourne local Amiel Courtin-Wilson’s work straddles both art cinema and mainstream filmmaking, with over a dozen short fiction films to his credit as well as three highly-acclaimed documentary features.

Hail shapes the extraordinary life experience of artist and ex-convict Daniel P. Jones into an experimental, autobiographical dramatic tapestry. Jones’s own words – transcribed and edited from interviews with the director – form the basis for the film’s dialogue, which is spoken by “characters” being played by their real-life counterparts. The resulting film is not strictly a drama and not strictly a documentary, but an exploration of hope in the face of oppressive adversity.

Jack Irish – Bad Debts

Jack Irish – Bad Debts

MIFFsters will be treated to the first of two Jack Irish tele-features scheduled to air on ABC TV in late 2012, boasting a stellar cast including Guy Pearce, Aaron Pedersen, Colin Friels, Shane Jacobson, Marta Dusseldorp, Steve Bisley and Roy Billing.

Guy Pearce is Jack, an old-school former criminal lawyer turned part-time private detective and debt collector, whose line of work has won him some rather colourful friends and acquaintences over the years. When one former client turns up dead, Jack burrows deep into Melbourne’s seedy underside to get to the bottom of it all.

Based on the eponymous series of crime novels by Miles Franklin Award winner Peter Temple, Jack Irish: Bad Debts will be followed by Jack Irish: Black Tide.

Last Dance

Last Dance

David Pulbrook (a veteran, AFI Award-winning editor) makes his directorial debut in this tightly-wound drama, set in the immediate aftermath of a synogogue bombing perpetrated by the Muslim Sadiq Mohammed (Underbelly‘s Firass Dirani). Seeking shelter, he forces his way into a flat occupied by a Holocaust survivor Ulah (Julia Blake), and thus begins a hostage drama which forces both Sadiq and Ulah to confront their own pasts.

Mental

Closing out the festival is Mental, a so-called suburban dramedy which reunites director P.J. Hogan with Toni Collette for the first time since Muriel’s Wedding was released in 1994.

Anthony LaPaglia is a philandering small-town politician shocked to discover that his wife has been institutionalised and has left him to take care of five children – none of which he has any particular interest in getting to know. By serendipity, a “charismatic, crazy hothead” (Collette) finds herself thrust into the household as the girls’ nanny, and slowly but surely transforms their home into something resembling normality.

Save Your Legs!

Save Your Legs!

A new addition to the MIFF calendar this year is the mid-festival gala event, turning the middle weekend of the festival into yet another party – if the opening and closing nights weren’t enough. A decidedly more relaxed affair than the glitzy opening night, the mid-festival gala will see the upbeat Bollywood-influenced musical comedy Save Your Legs! screened.

The Abbotsford Anglers, a D-grade local cricket team more interested in the shots on offer at the bar than those being made on the cricket field, make one last thrust for glory by going on an ill-conceived cricketing tour of India which ends in disastrous on-field results but more than a few laughs.

Starring Stephen Curry, Brendan Cowell, Damon Gameau and many more (plus a cameo by cricket legend Sir Richard Hadlee), Save Your Legs! is a guaranteed crowd-pleaser.

Documentaries

Coniston

Coniston

In late 1928 upwards of 100 innocent indigenous men, women and children were brutally murdered to avenge the death of a white dingo trapper named Fred Brooks, who was killed by Aborigines after “taking liberties” with the wife of a Warlpiri tribesman.

One of many films presented in partnership with Blackfella Films, Coniston is a combination documentary-dramatisation of the Contiston massacre as told by Warlpiri, Waramunga, Anmatyerr and Kaytetje people. Based on a shameful episode of Australian history – the last large-scale massacre of Aborigines by whites – is an important exercise in educating modern audiences.

Croker Island Exodus

Croker Island Exodus

Also blending the documentary and dramatic forms is Croker Island Exodus, based on the true story of a Methodist mission on Croker Island off the coast of Arnhem Land.

After the bombing of Darwin in 1942, the Australian government evacuated all white women and children from the far north of the Northern Territory, including Croker Island. The (white) missionaries refused evacuation, not wanting to abandon the 95 aboriginal children in their care, and instead embarked on an epic 44-day, 5,000-kilometre journey to Sydney by boat, truck, canoe and even by foot.

First-time feature director Steven McGregor combines dramatic reconstructions with interviews of three of the children who made the journey, now in their 80s, who reflect on their childhood as part of the Stolen Generation and their remarkable journey to sanctuary.

The First Fagin

The First Fagin

Is Fagin – the grotesque thief/landlord in Charles Dickens’ Oliver Twist and one of literature’s most enduring characters – based on Ikey Solomon, a real-life 19th century English criminal and escape artist? That’s what The First Fagin, directed by the trans-continental team of Alan Rosenthal and Helen Gaynor and narrated by the great Miriam Margolyes, sets out to discover.

Exploring the expulsion-happy criminal justice system of the 19th century as well as the life and reputation of Solomon, who was sentenced to be deported to Australia but for reasons unknown never made it to his down under prison, The First Fagin is one of many docu-drama features playing at MIFF this year. Tracing Solomon’s movements from England, through continental Europe, the United States and finally to Australia – where his wife had been deported – the film is a fantastical portrait of a man whose influence on culture is still being felt.

Lasseter’s Bones

Lasseter’s Bones

Beyond Our Ken, Luke Walker’s exploration into Kenja Communications – the “self-empowerment” group and alleged cult run by Ken Dyers and his wife Jan Hamilton – stirred up significant controversy when it screened at MIFF in 2007, and was nominated for an AFI Award in 2008.

His follow-up, Lasseter’s Bones, trades quasi-religious fanatics for an outback legend stretching back over 100 years, based around the existence (or non-existence) of Lasseter’s Reef, an enourmous gold deposit reportedly discovered and subsequently lost by Harold Lasseter in 1897.

With the help of Lasseter’s eccentric elderly son Bob, who continues to search for the fabled river of gold to vindicate his father, Walker attempts to get to the bottom of a legend which has taken on a life of its own – and taken one over, too.

Make Hummus Not War

Make Hummus Not War

A documentary about a different kind of war in the Middle East, Make Hummus Not War is about, well, hummus. Specifically, which culture can lay claim to ownership of the chickpea dish, which is steeped in thousands of years of contentious history and is one of the oldest prepared foods in human history.

Veteran filmmaker Trevor Graham, who won an AFI Award in 1997 for his documentary about the life of Eddie Mabo (Mabo: Life of an Island Man), traces the history of this unlikely dish and its symbolic importance to the Arab people of the Middle East. A lawsuit brought against Israel by Lebanon in 2008 about the heritage of hummus inspired Graham to delve a little deeper into what place hummus holds in Middle Eastern culture, and maybe, its role in Middle East reconciliation.

Paul Kelly: Stories of Me

Paul Kelly: Stories of Me

Australia’s unofficial troubador laureate Paul Kelly has been capturing the Australian condition through his folk/rock/country music for decades, and has been called “one of the greatest songwriters I have ever heard, Australian or otherwise” by Rolling Stone editor David Fricke.

Paul Kelly: Stories of Me charts Kelly’s life, loves and losses, painting an intimate picture of a private man living in the public eye. The film, directed by Ian Darling, offers an exclusive insight into the man behind the fame, his creative processes and his remarkable catalogue of music.

Stay tuned to the AFI | AACTA blog as we post further updates throughout the festival.

On the Box: Australian Television 2012 – Part 1

By Simon Elchlepp

Now for the fourth year running, we preview some Australian television highlights coming up in the year ahead (you can find our stories from 2009, 2010 and 2011 to revel in a bit of TV nostalgia). As it’s already April, some of 2012’s highlights have already come and gone, but there are still plenty to look forward to. In fact, 2012 shapes up to be a particularly interesting year on the small screen, for while there are many continuing series building on successes of past seasons, there is an impressive number of original productions due to screen this year. The ABC, in particular, has increased its drama and comedy output dramatically in recent years, while the commercial networks seem more prepared to take the plunge on ‘event’ telemovies and mini-series than in previous years. What’s also notable is that Australian TV producers and writers keep mining the nation’s rich history for their inspiration, unearthing stories from both familiar and lesser known periods of Australia’s past.

The trend also continues for networks to offer more viewing flexibility, with online viewing services like the ABC’s iview, SBS’ On Demand and Network Seven’s Plus7, constantly improving the audience’s ability to catch up on viewing at times to suit their own schedules.

John Waters and Asher Keddie – OFFSPRING SEASON 3.

As in 2011, we’ll focus on the television categories celebrated in the AACTA Awards: Drama, Comedy & Light Entertainment and Children’s Television. Some shows that have premiered recently, or will do so in the next couple of weeks, are Randling – six-time AFI Award winner Andrew Denton’s long-awaited return as show host, as he presides over a battle of words between teams that include witty wordsmiths such as Julia Zemiro, Rob Carlton, Angus Sampson and Robyn Butler (from 2 May, ABC1); Laid Series 2, which sees Roo (Alison Bell) having her world turned upside down when she is introduced to her opposite – Marcus, who doesn’t kill everybody he has sex with, but heals them (from 2 May, ABC1); and  Offspring Series 3 (now showing on Wednesday nights, 8.30pm, Network Ten), in which Nina Proudman (Asher Keddie) faces more messy family challenges. We’ve also just seen the impressive telemovie Beaconsfield on the Network Nine.

As always, we can’t include everything, but here’s a taste of Australian content that’s still to appear on your telly in 2012. In Part 1 we’ll look at the Drama offerings. Next week, in Part 2, we’ll focus on Comedy & Light Entertainment and a couple of new Children’s shows set to debut this year.

Drama: Series, Mini-Series and Telefeatures

Bikie Wars: Brothers in Arms (Network Ten, from May 15 2012, six-part mini-series)

One of the darker spots of Australia’s recent history is the Milperra massacre, a violent clash between the Bandidos and the Comancheros motorcycle clubs on Father’s Day, Sunday 2 September 1985 that left seven people killed and 28 wounded. Bikie Wars: Brothers in Arms aims to shine a light on how this deadly conflict could built up in the bikie gangs’ tribal culture with its particular code of honour. The show’s strong cast reads like a who’s who of Australian male TV stars including Todd Lasance, Luke Ford, Anthony Hayes, Damian Walshe-Howling and Callan Mulvey, with two-time AFI winner Susie Porter and Maeve Dermody in other roles. Veteran TV producers Greg Haddrick and Roger Simpson and director Peter Andrikidis together have a whopping 13 AFI Awards and 32 AFI Award nominations to their names, so it’s safe to say that this project is in good hands.

L-R: Anthony Hayes, Matt Nable and Callan Mulvey rev it up in Channel Ten’s BROTHERS IN ARMS.

Dangerous Remedy (ABC1, 2012 TBC, telemovie)

Jeremy Sims will take the lead in ABC1’s DANGEROUS REMEDY.

The story of Melbourne GP Dr Bert Wainer is that of a long, hard struggle on two fronts. As Australian social mores rapidly change in the late 1960s, Dr Wainer, moved by the death of a young woman, embarks on a campaign to overturn laws that make abortion an offence punishable by up to 15 years in jail. But soon he’s not only up against the legal system, but also against an illegal abortion ring involving highly paid doctors, backyard abortionists, high-ranking police and power-broking politicians. As producer/writer’s Kris Wyld’s next project after the AFI and AACTA Award-winning East West 101, Dangerous Remedy promises to be another slice of first-rate Australian TV drama, brought to life by a high-profile cast that includes Jeremy Sims (as Bert Wainer), William McInnes, Susie Porter, Maeve Dermody and Gary Sweet.

Devil’s Dust (ABC1, second half of 2012, two-part telemovie)

For more than a century, asbestos was one of the most commonly used building materials, and it took decades to recognise its devastating health impacts. In Australia, a decisive part of that struggle were the actions of three men, recreated in the telemovie Devil’s Dust. These central characters are: Bernie Banton (Anthony Hayes), who takes legal action against James Hardie after contracting cancer from his years of working with asbestos; Adam Bourke (Don Hany), who becomes aware that James Hardie is selling a product that causes the death of thousands of people; and Matt Peacock (Ewen Leslie), the ABC journalist who reveals evidence of the link between asbestos and cancer, and then devotes his career to exposing the shocking truth and bringing justice to victims. Two-time AFI Award-winning writer Kris Mrksa and producers FremantleMedia Australia bring the moving story of this still ongoing national tragedy to the small screen.

Anthony Hayes as mesothelioma sufferer Bernie Banton in DEVIL’S DUST.

Howzat!  (Channel Nine, 2012 TBC, two-part mini-series)

For a while, discussion around Howzat! The Kerry Packer Story focused mainly on which network would screen this ‘sequel in spirit’ to ABC’s Paper Giants, and whether Rob Carlton would reprise his AACTA nominated and Silver Logie-winning performance as Kerry Packer. Now that both questions have been answered, it’s time to take a closer look at the actual production. And what we can see so far looks like a highly entertaining trip back to the late 1970s when a young Kerry Packer took on the cricket establishment. Then owner of Channel Nine, Packer set up a rebel competition, the World Cricket Series and ushered in the era of one-day cricket played under lights. Lachy Hulme, also appearing in Beaconsfield and recently seen in Any Questions for Ben?, The Killer Elite and Offspring, continues his strong run and portrays Kerry Packer, backed by a supporting cast of moustachioed stars including Brendan Cowell, Damon Gameau and Matthew Le Nevez.

 

Matthew Le Nevez plays Dennis Lillee, Damon Gameau as Greg Chappell and Brendan Cowell as Rod Marsh on set of HOWZAT! 

Jack Irish – Bad Debts / Jack Irish – Black Tide (ABC1, 2012 TBC, 2 x 90min)

Rain. Wind. Pubs. Beer. Sex. Corruption. Murder. That’s Melbourne in winter for you, according to Peter Temple’s Ned Kelly Award-winning series of Jack Irish crime novels. Jack is an expert at finding people who don’t want to be found – dead or alive – and doesn’t mind stirring up a bit of trouble. He’s a former criminal lawyer, part-time investigator, debt collector, cabinetmaker, mug punter, and sometime lover – and the producers couldn’t have found a better actor to portray this complex character than Emmy Award-winner Guy Pearce. But while Pearce is certainly the big name on the roster of Jack Irish, he’s surrounded by a supporting cast that reads just as impressively: Damien Garvey, Anthony Hayes, Shane Jacobson and Roy Billing co-star, directed by one of Australia’s most promising young TV directors, AFI Award winner Jeffrey Walker.

Lawyer, punter, debt collector and sometime lover – Guy Pearce stars as Jack Irish.

Mabo (ABC1, June 2012, 117min)

Jim Bani and Deborah Mailman as Eddie and Bonita Mabo.

The life of Eddie Mabo has been the subject of several documentaries, most recently in Rachel Perkins’ groundbreaking series First Australians. Now Perkins, fresh from the success of Bran Nue Dae, returns to tell Eddie Mabo’s story in this telefeature. At its heart is the love story between Mabo and his wife Bonita that sustained their momentous struggle to change the face of Australia. In the lead role, Jimi Bani (The Straits, R.A.N.) is surrounded by a stellar supporting cast that includes Deborah Mailman, Colin Friels, Miranda Otto, William McInnes and Ewen Leslie. The talent assembled behind the camera is just as impressive: Byron Kennedy Award winner Perkins works with a team that includes multiple AFI Award winners Anthony Partos and Sue Smith. Expect this to end up on a lot of ‘best of year’ lists by the end of 2012.

The Mystery of the Hansom Cab (ABC1, second half of 2012, 120min)

Period crime series are hot right now on Australian TV screens. A trip into the prohibition era revitalised Channel Nine’s Underbelly series and the 1920s glam and swagger of the ABC’s Miss Fisher’s Murder Mysteries endeared the series to many TV crime hounds. Now the ABC follows up its recent success with The Mystery of the Hansom Cab, a telemovie based on the first detective novel ever written in Australia in 1886 by Melbourne barrister’s clerk Fergus Hume. A milestone in the development of the literary crime genre, The Mystery of the Hansom Cab has been filmed three times as a silent movie and now returns to the small screen courtesy of producer Margaret McDonald and director Shawn Seet, who has shown a sure hand with such material as Underbelly: Razor.

Reef Doctors (Network Ten, 2012 TBC, 13 hour series)

In the current wave of crime and medical dramas that has swept Australian TV screens in recent years, family-oriented action fare has taken a bit of a back seat. That’s about to change with Reef Doctors, a 13-part drama series starring Lisa McCune in her first role since Sea Patrol wrapped last year. McCune stars as a single mother and leader of a team of doctors that serve the remote Hope Island Clinic, looking after residents of a small island community on the Great Barrier Reef, as well as tending to holiday-makers and thrillseekers. Reef Doctors also marks McCune’s first foray into producing and she is joined by two-time AFI Award winner Jonathan M. Shiff (Elephant Princess, H20 Just Add Water, Cybergirl), one of Australia’s foremost producers of family TV entertainment. Rohan Nichol, Matt Day and Richard Brancatisano complete the cast of this Australian-German co-production.

Rohan Nicol and Lisa McCune in REEF DOCTORS.

Puberty Blues (Network Ten, second half of 2012, series)

Claudia Karvan and Jeremy Lindsay Taylor – PUBERTY BLUES.

Like Bruce Beresford’s 1981 classic movie of the same name, Ten’s new series is based on the novel by Gabrielle Carey and Kathy Lette. It recently made headlines for its top-flight cast that includes Claudia Karvan, Susie Porter, Dan Wyllie, Jeremy Lindsay Taylor, Rodger Corser and Ashleigh Cummings. More AFI Award winners are found behind the camera, with Southern Star duo John Edwards and Imogen Banks (Offspring, Tangle) producing and Glendyn Ivin and Emma Freeman (Hawke, Tangle, Offspring) directing. It will be fascinating to see what this impressive team of creative minds will bring to the re-telling of the story of two Sydney teenage girls trying to fit in with the local surf gang. Early word has it that the series will not only portray the two girl protagonists, but also their families and friends in greater detail.

Redfern Now (ABC1, second half of 2012, series)

Redfern Now looks like it might become a landmark series in more than one sense. It is crafted by seven Indigenous Australians under script guidance from three-time BAFTA Award winner Jimmy McGovern, with over 250 Indigenous Australians to be employed in various roles including producers, directors, writers, actors, production and post-production staff. While this will provide career opportunities for creative Indigenous Australians on a massive scale and have an impact on the whole film and TV industry, what will transpire in front of the camera should be just as interesting. Produced by Blackfella Films (First Australians, Mabo, The Tall Man), Redfern Now will tell “the explosive and dramatic stories of six households in Redfern […] one of Australia’s most famous suburbs – an area full of contradictions; [an] Aboriginal icon, centre of black struggle, and a real estate goldmine”, according to McGovern.

Tricky Business (Channel Nine, from May 14 2012, series)

When the first Tricky Business promo was released, it didn’t take long for some to compare the series to Packed to the Rafters. Ultimately, only once the first episode has screened will we know how similar or different both productions are. What’s clear already is that the show boasts a strong cast that includes two-time AFI Award winner Shane Bourne, Gigi Edgley, Debra Byrne, Kip Gamblin, Antony Starr and Tomorrow, When The War Began star Lincoln Lewis. Tricky Business focuses on a family that runs a debt collection business. Channel Nine’s Head of Television, Michael Healy, promises a show with “a very strong balance between family and procedural.”

A complicated family with a business in debt collection – Channel Nine’s TRICKY BUSINESS.

Underbelly: Badness (Channel Nine, second half of 2012, eight-part mini-series)

Last year’s Underbelly: Razor arguably revitalised the long-running Underbelly franchise by injecting it with a good dose of 1920s glamour. But after that trip into the past, the question is whether there’s any historical ground left for the series to tread? Returning executive producers Des Monaghan and Greg Haddrick seem to have found the answer: Underbelly: Badness jumps closer to the present day than any previous Underbelly series. Set in 2001-2011, this latest series focuses on Sydney underworld figure Anthony Perish and how he was brought to justice after ten years of police investigation. Production company Screentime have landed a casting coup, as AACTA Award nominee Jonathan LaPaglia will return to Australian TV screens as Anthony Perish, after his much lauded turn in The Slap. The cast is completed by Matt Nable, Josh Quong Tart, Ben Winspear, Leeanna Walsman and Jodi Gordon.

 

Underground (Network Ten, second half of 2012, telemovie)

For 2012, Network Ten has lined up a roster of productions that are likely to generate plenty of discussion around the water cooler. Apart from Bikie Wars: Brothers in Arms and 70’s tale of teenage rebellion Puberty Blues, there’s Underground. Few people have received as much media attention and polarised the public as strongly in recent years as WikiLeaks founder Julian Assange. And so you can bet that this telemovie about a young Assange and how he allegedly hacked the CIA website is bound to make waves. After weeks of intense online speculation, Ten have recently announced Underground’s impressive cast, headed by newcomer Alex Williams and including stars and AFI Award winners Anthony LaPaglia and Rachel Griffiths. The production will be directed by Robert Connolly (The Slap, Balibo, The Bank).

Wentworth (Foxtel, 2012 TBC, series)

One of Australian TV’s undisputed classics is Prisoner, which ran for seven years and has garnered a cult following around the world (the fact that there’s a 174 DVD box set with all 692 episodes out there speaks to the series’ everlasting appeal!). So Foxtel has some big shoes to fill in with its contemporary “re-imaging” of Prisoner called Wentworth. Little is known about cast and crew at this stage, but Foxtel Executive Director of Television promises “a dynamic and very confronting drama series, developed and stylised specifically for subscription television audiences.” Produced by Jo Porter (Packed to the Rafters, All Saints, Always Greener), Wentworth will follow the story of newly arrived prisoner Bea Smith and her rise through the ranks of the all-female prison hierarchy to the position of “Top Dog”.

Winners & Losers (Seven Network, 2012 TBC, series)

Currently, we don’t know much about the second season of Winners & Losers other than the fact that it will return to TV screens in 2012. But that bit of information alone will be enough to excite fans of one of 2011’s biggest ratings winners. The final episode of season one brought some big changes to the lives of Frances, Sophie, Bec and Jenny, which gives series creator Bevan Lee (Packed to the Rafters) “a new launching pad for season two.”  Filming on season two began on August 23 last year and we look forward to finding out what’s in store for the four girls at the heart of Winners & Losers.

What will this year hold for the four friends from WINNERS AND LOSERS?

Also tracking:

ABC’s Rake returns for a second series, while Seven Network has a new drama called A Place to Call Home from Packed to the Rafters creator Bevan Lee in the making. Some of Pay TV’s biggest 2012 shows have already been released, but you can still catch up, for example on Tangle in its third year and Conspiracy 365.  Costing $13m, the latter checks in as Australian Pay TV’s most expensive production to date.

Stay Tuned…

Next week, in Part 2 of this story, we’ll be checking out Comedy and Light Entertainment, including Hamish And Andy’s Euro Gap Year, Lowdown Series 2, Next Stop Hollywood, Please Like Me, Shaun Micallef Is Mad As Hell, Sporting Nation and This Christmas, as well as some children’s television picks.