AACTA Member Spotlight: Jessica Hobbs – Director

Jessica Hobs on set

Jessica Hobbs on set DEVIL’S DUST, photograph by Matt Temple

Jessica Hobbs is the director of many hours of groundbreaking, heart-stopping Australian television dramas, and though she grew up in New Zealand, we’re very happy to claim her as one of our own.

First inspired to work in drama, at age fourteen, when she saw Zeffirelli’s interpretation of the great tragedy Romeo and Juliet, Hobbs has gone on to perfect the art of empathetic, honest and affecting direction: from her early work on Heartbreak High through to THAT episode of Love My Way and her most recent outings on Curtin, Spirited, Tangle, My Place and the incredibly popular and AACTA Award-winning television adaptation of The Slap.

Over the years, Jessica Hobbs has won numerous AFI | AACTA Awards for Best Direction in Television and Short Film.* The Slap has also recently been nominated for a BAFTA Award for Best International Television Series. She is currently working on a two part telemovie Devil’s Dust for ABC TV. Spanning the 1970’s to the 2000’s, Devils Dust is a political thriller that deals with asbestos victim Bernie Banton and his courageous fight against James Hardie Industries.

Despite her wonderful credit list and ever-growing stash of nominations and awards, Hobbs still confesses to the odd moment of self-doubt, but believes the key to getting through is to retain your sense of humour, particularly when things don’t go according to plan.

In this interview, Jessica Hobbs talks about the particular challenges and advantages of working in the television medium. She shares her insight into eliciting the best performances from actors, and talks about the importance of a great script. Hobbs is generous with her praise for those who gave her a start and mentored her early steps in the industry and, in turn, she offers some advice for young directors just starting out.

Jessica Hobbs is one of our newly anointed Honorary Councillors for the Australian Academy of Cinema and Television Arts (AACTA) within the Direction Chapter. We are proud to have film and television makers of this calibre as a part of the new Australian Academy. In coming months, we look forward to sharing more of these profiles as we turn the Member Spotlight onto more performers and practitioners – both those working at home and abroad.

AFI | AACTA: You grew up in New Zealand. What was your educational path towards directing as a career – and directing in Australia?

Jessica Hobbs: I always had a strong interest in theatre and film but I didn’t know that directing was an actual career when I was younger. I do remember being shown Zeffirelli’s Romeo and Juliet at school when I was 14 and wondering who it was that got to create that world. But the idea of it as a proper job, as a career, that only occurred to me a few years later.

AFI | AACTA: Was directing something you always wanted to do, or a career which you fell into?

Jessica Hobbs: I decided when I was about 19 that I’d like to direct but it was a long time before I felt brave enough to tell people that that was my dream. I started working in the film industry in New Zealand at 21 as an assistant director and then a year or so later, I started making short films.  I spent many years working as an AD (Assistant Director) while trying to develop my directing skills. It wasn’t until my late twenties that I started directing full time when Ben Gannon gave me my first big break, directing Heartbreak High. I spent two years directing on the show and it became a bit like a mini film school for me. Every six weeks, I’d get another two hours of story to work on. I loved the directorial process they had on that show. For television at that time, they gave the directors a huge amount of creative freedom.

Jess Hobbs onset DEVIL'S DUST, photograph by Matt Temple

Jess on set DEVIL’S DUST, photograph by Matt Temple

AFI | AACTA: You’ve directed numerous television dramas – from Heartbreak High, Love My Way, Tangle and Spirited, to My Place and The Slap. What is it about directing television dramas that particularly appeals to you? What do enjoy least about it?

Jessica Hobbs: I love directing television and I feel that we’ve been very privileged over the last few years to see a big renaissance in the way that television is made. Television allows you the freedom to explore character development and story structure in greater depth over a longer period of time.

The less positive side of working in television is that it is always a race against time and budget constraints. But, I also see friends who are filmmakers having very similar struggles so perhaps the tyranny of trying to balance creativity and economic realities is across both mediums.

AFI | AACTA: In many of the aforementioned series, the characters and storylines are layered, complex and complicated. They often deal sensitively with fraught emotions or the personal intricacies of life’s ups and downs. I can imagine that this sort of subject matter could be quite difficult to direct. How do you go about getting such honest performances out of your actors?

Jessica Hobbs: I spend as much time as possible talking with them about the story and what we are trying to convey to the audience. Then, we break that down into what they feel it is that their characters want and how they are going to go about getting that.

Every actor uses a different methodology to perform. It’s important that I try to understand their way of working so that we can make the most of our time together. Ultimately, it is the actor who is up there on the screen, not the director, so it’s a big process of trust and giving them the freedom and space to try different things.

AFI | AACTA: In my opinion, you were responsible for directing one of the most moving pieces of Australian television history – that heartbreaking, earth shattering moment in Love My Way [spoiler alert!] when Frankie and Charlie’s world is turned upside down with the death of their only daughter. This moment in the series still resonates with its audience to this day. What for you were the most important elements in being able to do justice to such grief onscreen?

Jessica Hobbs: That was a beautifully developed moment by the writers before I even started the directing process. They had the guts to tell the story in that way and to stick with their idea that Lou’s death was just something that happened out of the blue. There would be no accident, no one to blame. In many ways, that spontaneity freed up my directing and made me conscious that I had to try and keep it very simple and real. It needed to feel like it was a real time experience and I think that’s why it made such an impact for the viewers.

Jess with Essie Davis onset of THE SLAP, photograph by Ben King

Jess with Essie Davis (Anouk) onset of THE SLAP, photograph by Ben King

AFI | AACTA: You recently directed two episodes (‘Anouk’ and ‘Hector’) of the popular Australian mini-series, adapted from the book of the same name, The Slap.  Did you choose to direct these particular episodes/character profiles? If so, why?

Jessica Hobbs: I can be honest now and say yes, I definitely chose Anouk but I initially tried to avoid the Hector episode – [producer] Tony Ayres corralled me into it so I blame him! It wasn’t that I didn’t like the Hector episode just that quite frankly it terrified me.  It was the opening episode of the series and it involved introducing all of the characters and the drama surrounding the slap, itself. I kept trying to off load the episode onto other directors but to no avail. In hindsight, I’m glad Tony pushed me towards it. The project was a fantastic opportunity to collaborate with a brilliant team of directors: Matt Saville, Rob Connolly and Tony Ayres.

AFI | AACTA: You were nominated for your first AFI Award in 2004 (Best Short Fiction Film – So Close to Home) and since then, have twice won the AFI Award for Best Direction in Television – in 2005 for Love My Way, and in 2006 for the two-part drama series about the invasion of East Timor, Answered by Fire. Last year, you were nominated again for the newly named AACTA Award for Best Direction in Television for The Slap. How does it feel and what has it done for your career to be nominated and win these Awards for your craft?

Jessica Hobbs: It was a great sensation to win those AFI awards. It does give you a wonderful feeling of peer recognition. I was immensely proud of both those projects so it was delightful to get the awards. Winning an AFI, or an AACTA as they are now known gave me confidence in my directing style and encouraged me to take more risks in choosing future projects.

Jess with her 2006 AFI Award for Best Direction in Television for ANSWERED BY FIRE

AFI | AACTA: The Slap has just been nominated for a BAFTA Award. Does international recognition feel especially gratifying?

Jessica Hobbs: Well, yes! I think for all of us on The Slap team, it’s been amazing seeing the program being so well received internationally. It has also begun to open up work opportunities for us in the UK.

AFI | AACTA: What have been some of the biggest challenges you’ve faced during your career?

Jessica Hobbs: Trying to keep my sense of humour and not become crippled by self-doubt. I guess it is all part of the normal creative process but it can be very hard to cope with at times. Some things work brilliantly and others just don’t. I am finding that managing my emotional responses to all of that is a life long learning process, a bit of an emotional roller coaster.

AFI | AACTA: Is it difficult to maintain a work/life balance as a television director?

Jessica Hobbs: Yes, but I love the work and feel privileged to be able to do it. My children have a more mixed reaction to it but I’m trying to find a better balance for them.

Jess onset of THE SLAP, photograph by Ben King

Jess on set of THE SLAP, photograph by Ben King

AFI | AACTA: Which part of your job gives you the most joy?

Jessica Hobbs: The creative collaboration with writers, producers, actors, designers, cinematographers, editors – creative collaboration is the best part of the job for me. I adore working with people who push you to produce better work and open you up to all sorts of creative possibilities.

AFI | AACTA: Are there still particular challenges for women in the directing profession? Is there any advice you would give young women trying to get started?

Jessica Hobbs: I think the industry is very open to female directors now. My advice would be the same for anyone, both women and men, look at work that you like and try to work with the teams of people who have made the shows/films that you admire and keep doing your own work.

AFI | AACTA: Are you able to name three mentors who have significantly helped you or influenced you?

Jessica Hobbs: Ben Gannon gave me my first big break and a great piece of advice when I was starting out. He said that if I told the story well then he’d give me more episodes to direct. If it looked great but I didn’t tell the story well then that would be the end of it.

Meeting John Edwards, Claudia Karvan and Jacqueline Perske who all gave me the opportunity to direct Love My Way was momentous for my career. Those three people have had a significant and very positive affect on my directing work.

And Scott Meek [producer and former ABC Head of Drama] is a wonderful mentor to me and has been for many years.

AFI | AACTA: What is your all time favourite Australian film or television program? Why?

Jessica Hobbs: Oh god – picking one?!
Blue Murder for the effect it had on me when I first watched it. I had only just moved to Australia and was mesmerised by it. In terms of features, I still think it would be the experience of watching Samson and Delilah. I sat in the dark and watched in awe.

AFI | AACTA: Thanks for your sharing your time with us.

* AFI |AACTA Award Nominations and Wins:

2004 AFI Award for Best Short Fiction Film – Nomination
So Close To Home
2005 Won AFI Award for Best Direction in Television
Love My Way, Series 1 – Episode 8, ‘A Different Planet’ (Foxtel)
2006 Won AFI Award for Best Direction in Television
Answered By Fire (ABC)
2011 AACTA Award for Best Direction in Television – Nomination
The Slap – Episode 1, ‘Hector’ (ABC1)
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On the Box: Australian Television 2012 – Part 1


By Simon Elchlepp

Now for the fourth year running, we preview some Australian television highlights coming up in the year ahead (you can find our stories from 2009, 2010 and 2011 to revel in a bit of TV nostalgia). As it’s already April, some of 2012’s highlights have already come and gone, but there are still plenty to look forward to. In fact, 2012 shapes up to be a particularly interesting year on the small screen, for while there are many continuing series building on successes of past seasons, there is an impressive number of original productions due to screen this year. The ABC, in particular, has increased its drama and comedy output dramatically in recent years, while the commercial networks seem more prepared to take the plunge on ‘event’ telemovies and mini-series than in previous years. What’s also notable is that Australian TV producers and writers keep mining the nation’s rich history for their inspiration, unearthing stories from both familiar and lesser known periods of Australia’s past.

The trend also continues for networks to offer more viewing flexibility, with online viewing services like the ABC’s iview, SBS’ On Demand and Network Seven’s Plus7, constantly improving the audience’s ability to catch up on viewing at times to suit their own schedules.

John Waters and Asher Keddie – OFFSPRING SEASON 3.

As in 2011, we’ll focus on the television categories celebrated in the AACTA Awards: Drama, Comedy & Light Entertainment and Children’s Television. Some shows that have premiered recently, or will do so in the next couple of weeks, are Randling – six-time AFI Award winner Andrew Denton’s long-awaited return as show host, as he presides over a battle of words between teams that include witty wordsmiths such as Julia Zemiro, Rob Carlton, Angus Sampson and Robyn Butler (from 2 May, ABC1); Laid Series 2, which sees Roo (Alison Bell) having her world turned upside down when she is introduced to her opposite – Marcus, who doesn’t kill everybody he has sex with, but heals them (from 2 May, ABC1); and  Offspring Series 3 (now showing on Wednesday nights, 8.30pm, Network Ten), in which Nina Proudman (Asher Keddie) faces more messy family challenges. We’ve also just seen the impressive telemovie Beaconsfield on the Network Nine.

As always, we can’t include everything, but here’s a taste of Australian content that’s still to appear on your telly in 2012. In Part 1 we’ll look at the Drama offerings. Next week, in Part 2, we’ll focus on Comedy & Light Entertainment and a couple of new Children’s shows set to debut this year.

Drama: Series, Mini-Series and Telefeatures

Bikie Wars: Brothers in Arms (Network Ten, from May 15 2012, six-part mini-series)

One of the darker spots of Australia’s recent history is the Milperra massacre, a violent clash between the Bandidos and the Comancheros motorcycle clubs on Father’s Day, Sunday 2 September 1985 that left seven people killed and 28 wounded. Bikie Wars: Brothers in Arms aims to shine a light on how this deadly conflict could built up in the bikie gangs’ tribal culture with its particular code of honour. The show’s strong cast reads like a who’s who of Australian male TV stars including Todd Lasance, Luke Ford, Anthony Hayes, Damian Walshe-Howling and Callan Mulvey, with two-time AFI winner Susie Porter and Maeve Dermody in other roles. Veteran TV producers Greg Haddrick and Roger Simpson and director Peter Andrikidis together have a whopping 13 AFI Awards and 32 AFI Award nominations to their names, so it’s safe to say that this project is in good hands.

L-R: Anthony Hayes, Matt Nable and Callan Mulvey rev it up in Channel Ten’s BROTHERS IN ARMS.

Dangerous Remedy (ABC1, 2012 TBC, telemovie)

Jeremy Sims will take the lead in ABC1’s DANGEROUS REMEDY.

The story of Melbourne GP Dr Bert Wainer is that of a long, hard struggle on two fronts. As Australian social mores rapidly change in the late 1960s, Dr Wainer, moved by the death of a young woman, embarks on a campaign to overturn laws that make abortion an offence punishable by up to 15 years in jail. But soon he’s not only up against the legal system, but also against an illegal abortion ring involving highly paid doctors, backyard abortionists, high-ranking police and power-broking politicians. As producer/writer’s Kris Wyld’s next project after the AFI and AACTA Award-winning East West 101, Dangerous Remedy promises to be another slice of first-rate Australian TV drama, brought to life by a high-profile cast that includes Jeremy Sims (as Bert Wainer), William McInnes, Susie Porter, Maeve Dermody and Gary Sweet.

Devil’s Dust (ABC1, second half of 2012, two-part telemovie)

For more than a century, asbestos was one of the most commonly used building materials, and it took decades to recognise its devastating health impacts. In Australia, a decisive part of that struggle were the actions of three men, recreated in the telemovie Devil’s Dust. These central characters are: Bernie Banton (Anthony Hayes), who takes legal action against James Hardie after contracting cancer from his years of working with asbestos; Adam Bourke (Don Hany), who becomes aware that James Hardie is selling a product that causes the death of thousands of people; and Matt Peacock (Ewen Leslie), the ABC journalist who reveals evidence of the link between asbestos and cancer, and then devotes his career to exposing the shocking truth and bringing justice to victims. Two-time AFI Award-winning writer Kris Mrksa and producers FremantleMedia Australia bring the moving story of this still ongoing national tragedy to the small screen.

Anthony Hayes as mesothelioma sufferer Bernie Banton in DEVIL’S DUST.

Howzat!  (Channel Nine, 2012 TBC, two-part mini-series)

For a while, discussion around Howzat! The Kerry Packer Story focused mainly on which network would screen this ‘sequel in spirit’ to ABC’s Paper Giants, and whether Rob Carlton would reprise his AACTA nominated and Silver Logie-winning performance as Kerry Packer. Now that both questions have been answered, it’s time to take a closer look at the actual production. And what we can see so far looks like a highly entertaining trip back to the late 1970s when a young Kerry Packer took on the cricket establishment. Then owner of Channel Nine, Packer set up a rebel competition, the World Cricket Series and ushered in the era of one-day cricket played under lights. Lachy Hulme, also appearing in Beaconsfield and recently seen in Any Questions for Ben?, The Killer Elite and Offspring, continues his strong run and portrays Kerry Packer, backed by a supporting cast of moustachioed stars including Brendan Cowell, Damon Gameau and Matthew Le Nevez.

 

Matthew Le Nevez plays Dennis Lillee, Damon Gameau as Greg Chappell and Brendan Cowell as Rod Marsh on set of HOWZAT! 

Jack Irish – Bad Debts / Jack Irish – Black Tide (ABC1, 2012 TBC, 2 x 90min)

Rain. Wind. Pubs. Beer. Sex. Corruption. Murder. That’s Melbourne in winter for you, according to Peter Temple’s Ned Kelly Award-winning series of Jack Irish crime novels. Jack is an expert at finding people who don’t want to be found – dead or alive – and doesn’t mind stirring up a bit of trouble. He’s a former criminal lawyer, part-time investigator, debt collector, cabinetmaker, mug punter, and sometime lover – and the producers couldn’t have found a better actor to portray this complex character than Emmy Award-winner Guy Pearce. But while Pearce is certainly the big name on the roster of Jack Irish, he’s surrounded by a supporting cast that reads just as impressively: Damien Garvey, Anthony Hayes, Shane Jacobson and Roy Billing co-star, directed by one of Australia’s most promising young TV directors, AFI Award winner Jeffrey Walker.

Lawyer, punter, debt collector and sometime lover – Guy Pearce stars as Jack Irish.


Mabo 
(ABC1, June 2012, 117min)

Jim Bani and Deborah Mailman as Eddie and Bonita Mabo.

The life of Eddie Mabo has been the subject of several documentaries, most recently in Rachel Perkins’ groundbreaking series First Australians. Now Perkins, fresh from the success of Bran Nue Dae, returns to tell Eddie Mabo’s story in this telefeature. At its heart is the love story between Mabo and his wife Bonita that sustained their momentous struggle to change the face of Australia. In the lead role, Jimi Bani (The Straits, R.A.N.) is surrounded by a stellar supporting cast that includes Deborah Mailman, Colin Friels, Miranda Otto, William McInnes and Ewen Leslie. The talent assembled behind the camera is just as impressive: Byron Kennedy Award winner Perkins works with a team that includes multiple AFI Award winners Anthony Partos and Sue Smith. Expect this to end up on a lot of ‘best of year’ lists by the end of 2012.

The Mystery of the Hansom Cab (ABC1, second half of 2012, 120min)

Period crime series are hot right now on Australian TV screens. A trip into the prohibition era revitalised Channel Nine’s Underbelly series and the 1920s glam and swagger of the ABC’s Miss Fisher’s Murder Mysteries endeared the series to many TV crime hounds. Now the ABC follows up its recent success with The Mystery of the Hansom Cab, a telemovie based on the first detective novel ever written in Australia in 1886 by Melbourne barrister’s clerk Fergus Hume. A milestone in the development of the literary crime genre, The Mystery of the Hansom Cab has been filmed three times as a silent movie and now returns to the small screen courtesy of producer Margaret McDonald and director Shawn Seet, who has shown a sure hand with such material as Underbelly: Razor.

Reef Doctors (Network Ten, 2012 TBC, 13 hour series)

In the current wave of crime and medical dramas that has swept Australian TV screens in recent years, family-oriented action fare has taken a bit of a back seat. That’s about to change with Reef Doctors, a 13-part drama series starring Lisa McCune in her first role since Sea Patrol wrapped last year. McCune stars as a single mother and leader of a team of doctors that serve the remote Hope Island Clinic, looking after residents of a small island community on the Great Barrier Reef, as well as tending to holiday-makers and thrillseekers. Reef Doctors also marks McCune’s first foray into producing and she is joined by two-time AFI Award winner Jonathan M. Shiff (Elephant Princess, H20 Just Add Water, Cybergirl), one of Australia’s foremost producers of family TV entertainment. Rohan Nichol, Matt Day and Richard Brancatisano complete the cast of this Australian-German co-production.

Rohan Nicol and Lisa McCune in REEF DOCTORS.

Puberty Blues (Network Ten, second half of 2012, series)

Claudia Karvan and Jeremy Lindsay Taylor – PUBERTY BLUES.

Like Bruce Beresford’s 1981 classic movie of the same name, Ten’s new series is based on the novel by Gabrielle Carey and Kathy Lette. It recently made headlines for its top-flight cast that includes Claudia Karvan, Susie Porter, Dan Wyllie, Jeremy Lindsay Taylor, Rodger Corser and Ashleigh Cummings. More AFI Award winners are found behind the camera, with Southern Star duo John Edwards and Imogen Banks (Offspring, Tangle) producing and Glendyn Ivin and Emma Freeman (Hawke, Tangle, Offspring) directing. It will be fascinating to see what this impressive team of creative minds will bring to the re-telling of the story of two Sydney teenage girls trying to fit in with the local surf gang. Early word has it that the series will not only portray the two girl protagonists, but also their families and friends in greater detail.

Redfern Now (ABC1, second half of 2012, series)

Redfern Now looks like it might become a landmark series in more than one sense. It is crafted by seven Indigenous Australians under script guidance from three-time BAFTA Award winner Jimmy McGovern, with over 250 Indigenous Australians to be employed in various roles including producers, directors, writers, actors, production and post-production staff. While this will provide career opportunities for creative Indigenous Australians on a massive scale and have an impact on the whole film and TV industry, what will transpire in front of the camera should be just as interesting. Produced by Blackfella Films (First Australians, Mabo, The Tall Man), Redfern Now will tell “the explosive and dramatic stories of six households in Redfern […] one of Australia’s most famous suburbs – an area full of contradictions; [an] Aboriginal icon, centre of black struggle, and a real estate goldmine”, according to McGovern.

Tricky Business (Channel Nine, from May 14 2012, series)

When the first Tricky Business promo was released, it didn’t take long for some to compare the series to Packed to the Rafters. Ultimately, only once the first episode has screened will we know how similar or different both productions are. What’s clear already is that the show boasts a strong cast that includes two-time AFI Award winner Shane Bourne, Gigi Edgley, Debra Byrne, Kip Gamblin, Antony Starr and Tomorrow, When The War Began star Lincoln Lewis. Tricky Business focuses on a family that runs a debt collection business. Channel Nine’s Head of Television, Michael Healy, promises a show with “a very strong balance between family and procedural.”

A complicated family with a business in debt collection – Channel Nine’s TRICKY BUSINESS.

Underbelly: Badness (Channel Nine, second half of 2012, eight-part mini-series)

Last year’s Underbelly: Razor arguably revitalised the long-running Underbelly franchise by injecting it with a good dose of 1920s glamour. But after that trip into the past, the question is whether there’s any historical ground left for the series to tread? Returning executive producers Des Monaghan and Greg Haddrick seem to have found the answer: Underbelly: Badness jumps closer to the present day than any previous Underbelly series. Set in 2001-2011, this latest series focuses on Sydney underworld figure Anthony Perish and how he was brought to justice after ten years of police investigation. Production company Screentime have landed a casting coup, as AACTA Award nominee Jonathan LaPaglia will return to Australian TV screens as Anthony Perish, after his much lauded turn in The Slap. The cast is completed by Matt Nable, Josh Quong Tart, Ben Winspear, Leeanna Walsman and Jodi Gordon.

 

Underground (Network Ten, second half of 2012, telemovie)

For 2012, Network Ten has lined up a roster of productions that are likely to generate plenty of discussion around the water cooler. Apart from Bikie Wars: Brothers in Arms and 70’s tale of teenage rebellion Puberty Blues, there’s Underground. Few people have received as much media attention and polarised the public as strongly in recent years as WikiLeaks founder Julian Assange. And so you can bet that this telemovie about a young Assange and how he allegedly hacked the CIA website is bound to make waves. After weeks of intense online speculation, Ten have recently announced Underground’s impressive cast, headed by newcomer Alex Williams and including stars and AFI Award winners Anthony LaPaglia and Rachel Griffiths. The production will be directed by Robert Connolly (The Slap, Balibo, The Bank).

Wentworth (Foxtel, 2012 TBC, series)

One of Australian TV’s undisputed classics is Prisoner, which ran for seven years and has garnered a cult following around the world (the fact that there’s a 174 DVD box set with all 692 episodes out there speaks to the series’ everlasting appeal!). So Foxtel has some big shoes to fill in with its contemporary “re-imaging” of Prisoner called Wentworth. Little is known about cast and crew at this stage, but Foxtel Executive Director of Television promises “a dynamic and very confronting drama series, developed and stylised specifically for subscription television audiences.” Produced by Jo Porter (Packed to the Rafters, All Saints, Always Greener), Wentworth will follow the story of newly arrived prisoner Bea Smith and her rise through the ranks of the all-female prison hierarchy to the position of “Top Dog”.

Winners & Losers (Seven Network, 2012 TBC, series)

Currently, we don’t know much about the second season of Winners & Losers other than the fact that it will return to TV screens in 2012. But that bit of information alone will be enough to excite fans of one of 2011’s biggest ratings winners. The final episode of season one brought some big changes to the lives of Frances, Sophie, Bec and Jenny, which gives series creator Bevan Lee (Packed to the Rafters) “a new launching pad for season two.”  Filming on season two began on August 23 last year and we look forward to finding out what’s in store for the four girls at the heart of Winners & Losers.

What will this year hold for the four friends from WINNERS AND LOSERS?

Also tracking:

ABC’s Rake returns for a second series, while Seven Network has a new drama called A Place to Call Home from Packed to the Rafters creator Bevan Lee in the making. Some of Pay TV’s biggest 2012 shows have already been released, but you can still catch up, for example on Tangle in its third year and Conspiracy 365.  Costing $13m, the latter checks in as Australian Pay TV’s most expensive production to date.

Stay Tuned…

Next week, in Part 2 of this story, we’ll be checking out Comedy and Light Entertainment, including Hamish And Andy’s Euro Gap Year, Lowdown Series 2, Next Stop Hollywood, Please Like Me, Shaun Micallef Is Mad As Hell, Sporting Nation and This Christmas, as well as some children’s television picks.